Kent Nagano

Kent Nagano is considered one of today’s outstanding conductors for both operatic and orchestral repertoire. Since September 2015, he has been General Music Director of the Hamburg State Opera and Chief Conductor of the Philharmonic State Orchestra Hamburg. In addition, he is committed as Artistic Director of the Ring project with Concerto Köln and the Dresden Festival Orchestra, and as patron of the Herrenchiemsee Festival. 2023 he was appointed Honorary Conductor of the Philharmonic State Orchestra, in 2021 of the Orchestre symphonique de Montréal, in 2019 of the Concerto Köln, and in 2006 of the Deutsches Symphonie-Orchester Berlin.

The 2023/2024 season in Hamburg begins with four concerts, performing with the Philharmonische Akademie at the Laeiszhalle, then with the Philharmonic State Orchestra at the Rathausmarkt Open Air and the Elbphilharmonie. This will be followed by a series of opera productions at the State Opera in September and October, with a premiere of Mussorgski’s Boris Godunow in a production by Frank Castorf and a premiere of Strauss’s Salome in a production by Dmitri Tcherniakov, as well as performances of Sciarrino’s Venere e Adone and Britten’s Peter Grimes. Furthermore, during the season Nagano will conduct symphonic concerts with the Philharmonic State Orchestra, including the New Year’s performance at the Elbphilharmonie.
His past years in Hamburg include opera productions such as Les Troyens, Lulu, Lady Macbeth von Mzensk, the world premiere of Stilles Meer and German premiere of Lessons in Love and Violence, the "Philharmonische Akademie" at St. Michaelis, open-air concerts at the Rathausmarkt and the world premiere of Pascal Dusapin's work Waves for organ and orchestra at the Elbphilharmonie. Orchestral tours with the Philharmonisches Staatsorchester Hamburg have taken Kent Nagano to Japan, Spain and South America.

Kent Nagano has worked with the world's leading international orchestras, including the Bavarian Radio Symphony Orchestra, the Orchestre Philharmonique Radio France, the Orchestre de l’Opéra national in Paris, the Chicago and Detroit Symphony Orchestra, the Finnish Radio Symphony Orchestra, and the Wiener Symphoniker. Special projects were productions of Wagner's Das Rheingold with Concerto Köln and the Bernstein opera A quiet place at the Paris Opera. His operatic work has included Dusapin‘s Il viaggio, Dante at the Festival d‘Aix-en-Provence, Hindemith's Cardillac and Poulenc's Dialogues des Carmélites at the Opéra National de Paris and Henze’s The Bassarids and the premiere of Saariaho's L’amour de loin at the Salzburg Festival. Other world premieres conducted by Nagano include Bernstein's A White House Cantata and the operas Alice in Wonderland by Unsuk Chin, Three Sisters by Peter Eötvös and The Death of Klinghoffer and El Niño by John Adams.

The 2023/24 season will see Kent Nagano make a wide variety of appearances at the Rosey Concert Hall in Rolle, the Konzerthaus Bozen, the Maison symphonique in Montréal, the Concertgebouw in Amsterdam, the Tonhalle in Zurich, the Philharmonie in Berlin, the Konzerthalle in Bamberg and the Kulturpalast in Dresden. In addition, he will conduct the Orchestre de l'Opera de Lyon and lead a new production of Ligeti’s Le Grand Macabre by Krzysztof Warlikowski at the Bavarian State Opera in Munich.

Under the artistic direction of Kent Nagano and the Intendant of the Dresdner Musikfestspiele Jan Vogler, Wagner's "Ring Tetralogy" will be performed in the artistic context of the period in which it was composed, based on the latest findings of research into Wagner and performance practice, and integrated into an extensive supporting program as part of the multi-year project "The Wagner Cycles" of the Dresdner Musikfestspiele from 2023 to 2026. The prelude was the performance of "Das Rheingold" at the Dresden Music Festival in 2023 and the tour to Cologne, Ravello and Lucerne under the musical direction of Kent Nagano. With "Die Walküre," the second work in the epochal narrative will follow in 2024.

Highlights of Kent Nagano's collaboration with the OSM as Music Director from 2006 to 2020 included the inauguration of the orchestra’s new concert hall La Maison Symphonique in September 2011, performances of the complete cycles of Beethoven and Mahler symphonies, Schoenberg's Gurrelieder, concert versions of Wagner's Tannhäuser, Tristan und Isolde and Das Rheingold, Honegger's Jeanne d'Arc au Bücher, and Messiaen's Saint François d'Assise. Tours have taken Nagano and the orchestra to Canada including the Northern Territories, Japan, South Korea, Europe (latest 2019), Latin America and the USA. In July 2018, Kent Nagano conducted Krzysztof Penderecki’s St. Luke Passion with the OSM at the Salzburg Festival opening concert.

His recordings with the OSM on Sony Classical/Analekta include Mahler’s Orchestral Songs with Christian Gerhaher in 2013 and a complete recording of all of Beethoven’s symphonies in 2015. Decca released a recording of the North American premiere of L'Aiglon, a rarely performed opera by Honegger and Ibert in 2016, conducted by Nagano in 2015. Further releases by Decca are Danse Macabre with works by Dukas, Saint-Saens, Ives and others in 2016 as well as a recording of Bernstein's A quiet place in 2018 on the occasion of the composer's 100th birthday. John Adams' Common tones in simple time & harmony (Decca) was released in 2019, the Lukas Passion by Penderecki (BIS) and works by Ginastera, Bernstein and Moussa (Analekta) in 2020.

At the Bayerische Staatsoper, where he was General Music Director from 2006 to 2013, Kent Nagano commissioned new operas such as Babylon by Jörg Widmann, Das Gehege by Wolfgang Rihm and Alice in Wonderland by Unsuk Chin. New productions included Mussorgsky's Boris Godunov and Khovanshchina, Strauss' Ariadne auf Naxos and Die Frau ohne Schatten, Poulenc's Dialogues des Carmelites, Messiaen’s Saint François d'Assise, Berg’s Wozzeck, George Benjamin's Written on skin and Wagner's Der Ring des Nibelungen. Tours took Nagano and the Bavarian State Orchestra through Europe and Japan. In addition to Bruckner's Symphonies Nos. 4 and 7 (Sony), Kent Nagano has released several opera performances with the Bavarian State Orchestra on DVD: Unsuk Chin's opera Alice in Wonderland (2008) and Mussorgsky's Chowanschtschina (2009) with unitel classica/medici arts, Dialogue des Carmélites with Bel Air Classiques (2011) and Lohengrin (2010) with Decca.

Another very important period in Nagano’s career was his time as Artistic Director and Chief Conductor of the Deutsches Symphonie-Orchester Berlin from 2000-2006. He performed Schönberg’s Moses und Aron with the orchestra (in collaboration with Los Angeles Opera) and took them to the Salzburg Festival to perform both Zemlinsky’s Der König Kandaules and Schreker’s Die Gezeichneten, as well as to the Festspielhaus Baden-Baden with Parsifal and Lohengrin in productions by Nikolaus Lehnhoff. Recordings with the Deutsches Symphonie-Orchester Berlin for Harmonia Mundi include repertoire as diverse as Bernstein’s Mass, Bruckner’s Symphonies Nos. 3 & 6, Beethoven’s Christus am Ölberge, Wolf’s Mörike-Lieder, Mahler’s Symphony No. 8, Schönberg’s Die Jakobsleiter and Friede auf Erden, as well as Brahms’s Symphony No. 4 and Schönberg’s Variationen für Orchester Op. 31. In June 2006, at the end of his tenure with the orchestra, Kent Nagano was given the title Honorary Conductor by members of the orchestra – only the second recipient of this honour in their 60-year history. To this day he maintains a close friendship with the orchestra.

In October 2019, Kent Nagano and Mari Kodama expanded their joint recordings of Beethoven's works for piano and orchestra with Beethoven's Piano Concerto No. 0 E-flat Major WoO 4, a nearly unknown work from the composer’s youth, and his Rondo for Piano and Orchestra WoO 6 with the Deutsches Symphonie-Orchester Berlin. The complete edition of Beethoven’s piano concerti was released on the Berlin Classics label.

Nagano was awarded Grammys for his recordings of Busoni’s Doktor Faust with Opéra National de Lyon, Prokofjew’s Peter and the Wolf with the Russian National Orchestra and Saariaho’s L’amour de Loin with the Deutsches Symphonieorchester Berlin. He has worked with labels such as BIS, Decca, Sony Classical, FARAO Classics and Analekta for many years, and has also recorded CDs with Berlin Classics, Erato, Teldec, Pentatone, Deutsche Grammophon and Harmonia Mundi.

To celebrate Kent Nagano's 70th birthday in 2021, a 3-CD box set of works by Olivier Messiaen was released in October on the BR Klassik label. The release includes live recordings of the works Poèmes pour Mi, Chronochromie and La Transfiguration de Notre Seigneur Jésus-Christ from his concerts with the Symphonieorchester und Chor des Bayerischen Rundfunks, demonstrating Nagano's close familiarity with Messiaen's musical language in a special way.

In September 2021, Kent Nagano published his second book with Berlin Verlag. In "10 Lessons of my Life", he recalls ten deeply personal encounters from which he learned important lessons, not only for his career but for his life more broadly. Among those experiences are encounters with the Icelandic pop artist Björk, Frank Zappa, Leonard Bernstein, Pierre Boulez and the Nobel Prize winner in physics Donald Glaser.
In 2015 Kent Nagano published "Erwarten Sie Wunder!" also in Berlin Verlag, a passionate appeal for the relevance of classical music in today's world. In 2019 the book was released in English by the Canadian McGill-Queen's University Press under the title ″Classical Music - Expect the Unexpected" and in 2015 under "Sonnez, merveilles!" in French by Éditions du Boréal.

Born in California, Nagano maintains close connections with his home state and was Music Director of the Berkeley Symphony Orchestra from 1978-2009. His first major successes came with the Boston Symphony Orchestra in 1984, when Messiaen appointed him assistant to conductor Seiji Ozawa for the premiere of his opera Saint François d'Assise. Nagano’s success in America led to European appointments: Music Director of Opéra National de Lyon (1988-1998) and Music Director of the Hallé Orchestra (1991-2000). Kent Nagano became the first Music Director of Los Angeles Opera in 2003 having already held the position of Principal Conductor for two years.

Kent Nagano was awarded an honorary doctorate from McGill University in Montréal in 2005, an honorary doctorate from the Université de Montréal in 2006, and an honorary doctorate from San Francisco State University in 2018. Since 2017, Kent Nagano has been a "Compagnon" of the "Ordre des arts et des lettres" of Québec and in the fall of 2023, Kent Nagano was also awarded the title of "Chevalier" in the "Ordre des art et des lettres" of France.

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Elbenita Kajtazi

Birthplace:
Mitrovica, Kosovo

Studies:
Graduated summa cum laude from the Mitrovica Conservatory of Music (2009), subsequently studied at the University of Prishtina

Prizes:
Audience Prize and 3rd place at the first Glyndebourne Opera Cup (2018), first prize and special prize at the Riccardo Zandonai Competition (2015), first prize at the Spiros Argiris Competition of the Sarzana Opera Festival in Italy (2014), scholarship holder of the Förderkreis der Deutschen Oper Berlin (2014-2016), participant of the Young Singers Project at the Salzburg Festival (2016), Dr. Wilhelm Oberdörffer Prize Hamburg (2020).

Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since the 2018/19 season

Important parts:
Violetta (La Traviata), Nannetta (Falstaff), Mimi (La Boheme), Manon (Manon), Micaëla (Carmen), Liù (Turandot), Pamina (Die Zauberflöte), Susanna (Le Nozze di Figaro), Contessa (Le Nozze di Figaro), Gretel (Hänsel und Gretel), Musetta (La Bohème), Adina (L'elisir d'amore), Marzelline (Fidelio), et al.

Stages:
Staatsoper Hamburg, Deutsche Oper Berlin, Staatsoper Unter den Linden, Bayrische Staatsoper, Opernhaus Zürich, Semperoper Dresden, Grand Théâtre de Genève, Opéra National de Bordeaux, Teatro Municipal de Santiago, Aalto-Teater Essen, Philharmonie Essen, et al.

Cooperation with conductors:
Tomáš Netopil, Friedrich Haider, Riccardo Minasi, Roberto Rizzi Brignoli, Axel Kober, Patrick Fournillier, Donald Runnicles, Yoel Gamzou, Kent Nagano, Nicholas Carter, et al.

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Narea Son

Birthplace:
Seoul, South Korea

Studies:
Bachelor's degree at Seoul National University, master's degree opera and concert exam opera at Hochschule für Musik und Theater in Hamburg

Master class:
with Edita Gruberová, Jaume Aragall, Cheryl Studer, Mariella Devia, Thomas Quastoff, Edda Moser, Brigitte Fassbaender und Joyce DiDonato at Carnegie Hall in New York with Live Stream by Arte TV, et al.

Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since the 2019/20 season
Was a member of the International Opera Studio of the Hamburg State Opera 2016/17 and 2017/18

Important parts:
Adele (Die Fledermaus), Pamina (Erzittre, feiger Bösewicht!, Neufassung der Zauberflöte von J. Harneit), Marzelline (Fidelio), Zerlina (Don Giovanni), Katze Ivanka ( U.A. Katze Ivanka ), Ljusja (Moskau, Tscherjomuschki ), Marthe, Sorge, Seliger Knabe und Sopran Solo ( Szenen aus Goethes Faust), Javotte (Manon), Echo (Ariadne auf Naxos), Oberto (Alcina), et al.

Stages:
Hamburgische Staatsoper, Theater Bremen, Sejong Center (Seoul Metropolitan Opera), Shanghai Grand Theater, Geumho-Konzerthalle, et al.

Cooperation with directors:
Achim Freyer, Philipp Stölzl, Georges Delnon, Vera Nemirova, David Bösch, BARBE&DOUCET et al.

Cooperation with conductors:
Kent Nagano, Alexander Joel, Johannes Fritzsch, Massimo Zanetti, Christopher Moulds, Renato Palumbo, Axel Kober, Jonathan Darlington, et al.

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Ida Aldrian

Birthplace:
Bruck an der Mur, Austria

Studies:
University of Music and Performing Arts Vienna with Leopold Spitzer and Karlheinz Hanser; studies for Stage Performance (Opera and Musical Drama), Art Song and Oratorio with KS Marjana Lipovšek with honors; member of International Opera Studio of the Hamburg State Opera (2012/13–2013/14)

Master class:
With Ann Murray, Bernarda Fink, Reri Grist, Peter Kooij, Andrew Watts, Thomas Hampson, Wicus Slabbert, Alan Titus, Brigitte Fassbaender, et al.

Prizes:
Dr.-Wilhelm-Oberdörffer-Preis of Stiftung zur Förderung der Hamburgischen Staatsoper (2014), prize winner of the jury ranking at international singing competition „Stella Maris“ (2014)

Relation to the State Opera:
Ensemble member of the Hamburg State Opera since the season 2019/20

Important parts:
Wellgunde (Das Rheingold and Götterdämmerung), Siegrune and Rossweiße (Die Walküre), Blumenmädchen and Stimme aus der Höhe (Parsifal ), 2. Maid (Daphne), Feodor (Boris Godunov), Maddalena (Rigoletto), Hansel (Hansel and Gretel), Isabella (L'Italiana in Algeri), Adalgisa (Norma), Idamante (Idomeneo), Third Lady (The Magic Flute), Rosina (Il Barbiere di Siviglia), Penelope (Il Ritorno d'Ulisse in Patria), Mercedes (Carmen), Tisbe (La Cenerentola), Laura (Luisa Miller), Flora and Annina (La Traviata), Cherubino (Le Nozze di Figaro), Dorabella (Così fan tutte), Meg Page (Falstaff), Dryade (Ariadne auf Naxos), Orlofski (Die Fledermaus), et al.

Stages:
Elbphilharmonie, Concertgebouw Amsterdam, Kölner Philharmonie, Wiener Konzerthaus, Musikverein Wien, Staatstheater Nürnberg, Grafenegg Festival, Laeiszhalle Hamburg, Barocktage Melk, Styriarte, International Brucknerfest Linz, Staatsoper Unter den Linden, et al.

Cooperation with directors:
Andreas Homoki, Georg Schmiedleitner, Laura Scozzi, Mariame Clément, Verena Stoiber, Peter Konwitschny, Stéphane Braunschweig, David Bösch, et al.

Cooperation with conductors:
Simone Young, Kent Nagano, Martin Haselböck, Marcus Bosch, Yutaka Sado, Pablo Heras-Casado, Christopher Moulds, Cornelius Meister, Fabio Luisi, Andrés Orozco-Estrada, Simon Gaudenz, et al.

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Dovlet Nurgeldiyev

Birthplace:
Ashgabat, Turkmenistan

Studies:
Vocal studies at the Music College in Ashgabat, at the Turkmen National Conservatory, at the Conservatory Tilburg and at Koninklijk Conservatorium Den Haag

Relation to the Hamburg State Opera:
Member of the International Opera Studio (2008/9-2009/10)
Ensemble member since 2010/11

Important parts:
Dmitriy (Boris Godunov), Stewa (Jenufa), Tito (La Clemenza di Tito), Erik (Der fliegende Holländer), Fenton (Falstaff), Nemorino (L’Elisir d’Amore), Alfredo (La Traviata), Ferrando (Così fan tutte), Belmonte (Die Entführung aus dem Serail), Tamino (Die Zauberflöte), Don Ottavio (Don Giovanni), Lensky (Eugene Onegin), Vladimir (Prince Igor), Telemaco (Il Ritorno d'Ulisse in Patria), Alfred (Die Fledermaus), Chevalier (Dialogues des Carmelites), Hylas (Les Troyens), Macduff (Macbeth), Ismaele (Nabucco), Cassio (Otello), Naraboth (Salome), Medoro (Orlando Paladino), Belfiore (La finta giardiniera), et al.

Stages:
Hamburgische Staatsoper, Bayerische Staatsoper, Münchner Opernfestspiele, Staatsoper Unter den Linden Berlin, Deutsche Oper Berlin, Oper Frankfurt, Ungarische Staatsoper, Polnische Staatsoper, Opéra National de Montpellier, Opéra de Rouen Normandie, Auditorium de Bordeaux, Elbphilharmonie Hamburg, Gewandhaus Leipzig, Laeizhalle Hamburg, Prinzregententheater München, Santa Fe Opera(US), Gran Teatre del Liceu, Concertgebow Amsterdam, Palau del la Musica, Auditoriu Barcelona, Auditoriu Madrid,et al.

Cooperation with directors:
Hans Neuenfels, Marie-Eve Signeyrole, Renaud Doucet, Vincent Boussard, Jette Steckel, Willy Decker, Axel Ranisch, et al.

Cooperation with conductors:
Ivor Bolton, Kent Nagano, Bertrand de Billy, Keri Lynn Wilson, Philippe Auguin, Lothar Zagrosek, Michael Schonwandt, Stefan Soltesz, Henrik Nánási, Stefano Ranzani, Andrea Battistoni, Simone Young, et al.

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Nicholas Mogg

Birthplace:
Manchester, United Kingdom

Studies:
International Opera Studio, Hamburg State Opera; National Opera Studio, London; Royal Academy of Music, London; Clare College, University Cambridge

Masterclass:
with Sir Simon Keenlyside, Christian Gerhaher, Malcolm Martineau, Brigitte Fassbaender, Gerald Finley, Sir Thomas Allen

Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since the 2022/23 season
Was Member of the International Opera Studio of the Hamburg State Opera from 2019/20 to 2022/23

Prizes:
Royal Over-Seas League Singers’ Section; Richard Lewis/Jean Shanks Award

Roles:
Don Giovanni (Don Giovanni), Guglielmo (Così fan tutte), Ned Keene (Peter Grimes), Aeneas (Dido and Aeneas), Dandini (La Cenerentola), Steward (Flight), Herr Peachum (Die Dreigroschenoper), Melisso (Alcina), Jupiter (Orphée aux Enfers), et al.

Stages:
Hamburg State Opera, Glyndebourne Festival Opera, Wigmore Hall, Philharmonie de Paris, Het Concertgebouw, Festival Aix, Elbphilharmonie, Theater Lübeck

Cooperation with directors:
Keith Warner, Herbert Fritsch, Tim Albery, Orpha Phelan, Richard Jones

Cooperation with conductors:
Robin Ticciati, Sir John Eliot Gardiner, Ton Koopman, Sir Roger Norrington, Yoel Gamzou, Francesco Ivan Ciampa, Alan Gilbert, Kent Nagano

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Liam James Karai

Birthplace:
Hongkong, China

Studies:
MMUS & PGDip - Royal Northern College of Music, taught by Quentin Hayes
BSC – University of Leicester

Master class:
Olga Peretyatko (2022 Hamburg)
Piotr Beczała (2022 Salzburg Festspiele)
John Tomlinson (2022 RNCM)
Ann Murray (2022 RNCM)
Graham Vick (2021 RNCM)
Christopher Purves (2021 RNCM)

Prizes:
Sir John Tomlinson Scholarship (RNCM)
Andrew Lloyd Webber Scholarship (RNCM)
Frederic Cox Award (RNCM)
RNCM Silver Medal
Joaninha Trust Award Competition
Pomerance Prize (University of Leicester)
St Cecilia Opera Prize (Leicester festival of music & dramatic art)
Winner of the Opera solo Award (Leicester festival of music & dramatic art)

Relation to the Hamburg State Opera:
Member of the International Opera Studio of the Hamburg State Opera since the 2022/2023 season

Important parts:
Figaro (Le nozze di Figaro), Leporello/Don Giovanni (Don Giovanni), Guglielmo (Così fan tutte), Alidoro (Cenerentola), Escamillo (Carmen), Colline (La bohème)

Stages:
Salzburg Festspiele, Staatsoper Hamburg, English National Opera, Opera Holland Park, RNCM

Cooperation with directors:
Christof Loy, Angelina Nikonova, Victoria Newlyn, Sam Brown, Stuart Barker, Jonathan Cocker

Cooperation with conductors:
Kent Negano, Franz Welser-Möst, Peter Whelan, Adrian Kelly, Peter Robinson, Nicholas Kok, Paul Jenkins

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Alexander Vinogradov

Birthplace:
Russia

Studies:
Moscow Conservatory

Important parts:
Escamillo (Carmen), Filippo II (Don Carlo), Conte di Walter (Luisa Miller), Fiesco (Simon Boccanegra), Zaccaria (Nabucco), Ruy Gomez da Silva (Ernani), Procida (Les Vêpres siciliennes), Prince Gremin (Eugene Onegin), Raimondo (Lucia di Lammermoor), Colline (La bohéme), Timur (Turandot), Méphistophélès (Faust), Méphistophélès (La damnation de Faust), Frère Laurent (Roméo et Juliette), Sarastro (Die Zauberflöte), Basilio (Il barbiere di Siviglia), Rossini’s “Petite Messe Solennelle”, Dvoraks’s “Stabat Mater”, Verdi’s “Messa da Requiem”, et al.

Stages:
Royal Opera House Covent Garden, Metropolitan Opera, Washington Opera, Teatro alla Scala, Opéra National de Paris, Théâtre du Châtelet de Paris, Staatsoper Unter den Linden Berlin, Opernhaus Zürich, Opéra de Monte-Carlo, Palau de les Arts de Valencia, Teatro Real de Madrid, San Diego Opera, Semperoper Dresden, Ravinia Festival, New National Theatre in Tokyo, Teatro Colòn de Buenos Aires, Teatro La Fenice di Venezia, Teatro Regio di Torino, Teatro San Carlo di Napoli, Arena di Verona, Bavarian State Opera, Deutsche Oper Berlin, Vienna State Opera, et al.

Cooperation with conductors:
Daniel Barenboim, Semyon Bychkov, Myung-Whun Chung, Gustavo Dudamel, Lawrence Foster, Valerij Gergeev, Mariss Jansons, Philippe Jordan, Vladimir Jurowski, Lorin Maazel, Kent Nagano, Yannick Nézet-Séguin, Gianandrea Noseda, Sir Antonio Pappano, Vasilj Petrenko, Helmuth Rilling, Yuri Temirkanov, et al.

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Martin Helmchen

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Philharmonisches Staatsorchester Hamburg

The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.

During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Adam Fischer and Sir Roger Norrington.

Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera and since June 2023 also its honorary conductor. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016, Nagano and the Philharmonic toured South America, followed by concert tours to Spain and Japan in 2019, and in the spring of 2023, the Philharmonic State Orchestra made its debut at New York's Carnegie Hall under his direction, which was acclaimed by audiences and the press. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released by ECM, for which Widmann received the OPUS KLASSIK as Composer of the Year 2019, and ARCHE was performed again in 2023 to great acclaim.

The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.

In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.

The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.

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Damen des Harvestehuder Kammerchors

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Estnischer Nationaler Männerchor

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